Alcoholocaust
Comedy Central · 2010 · 76 min
A hard-drinking comedian takes his disabled childhood friend to a brothel.
Jim Jefferies spends the first portion of Alcoholocaust doing everything he can to live up to his reputation as a professional bridge-burner. He sets a frantic pace for profanity, takes aim at religion, and recounts a trip to entertain the troops in Iraq where he panicked over a single handgun while riding in an armored helicopter. The set hinges on its final half hour, an extended story about taking his childhood friend Dan, who has muscular dystrophy, to a brothel to lose his virginity. It is a surprisingly sweet anecdote told by a man actively trying to hide that he has a heart.
Filmed in July 2010 at London’s Lyric Theatre, the set caught the Australian comic right as his career was gaining traction in the United States following his 2009 HBO special. He performs in front of a massive logo of his own initials stylized to look like demon horns, leaning heavily into a hard-drinking, misanthropic persona. Between routines about Michael Jackson and the Holocaust, he discusses his depression and his reliance on booze, admitting to the crowd that he probably needs to quit. Reviews of the era noted that the closing brothel routine proved he was a capable storyteller rather than just a shock comic.
The set list
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The closer (spoiler). Show it
Taking a friend with muscular dystrophy to a brothel
An extended, emotionally sincere and hilarious narrative detailing a trip to a Melbourne brothel to help his severely disabled 33-year-old childhood friend Dan lose his virginity, told with matter-of-fact honesty rather than sentimentality.
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Entertaining troops in Iraq
Recounts his experience performing stand-up for military personnel in Iraq, frankly admitting to being terrified by dangerous situations that soldiers considered routine.
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The folly of western ambition
Contrasts his own escalating ambitions for showbiz success with the basic survival needs of an impoverished person in Africa, challenging western entitlement.
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Atheist morality and religion
Argues against the existence of God and defends the show's controversial title against religious backlash, advocating for a basic moral code of kindness.
How it plays
- Tone
- Caustic, boundary-pushing, foul-mouthed, and nihilistic, balanced with playfulness and life-affirming humanity.
- On stage
- Hard-drinking, unapologetically offensive rock-and-roll comic trampling over social niceties, combining crass bluster with disarming warmth and sincerity.
- Pace
- High-momentum, Hicksian heavy-metal energy; booze-fuelled delivery involving drinking flat beer on stage throughout the set.
- About
- alcohol and heavy drinking, disability, sex and brothels, atheism and religion, depression, ambition
What the critics said
Critically praised as a tour de force of narrative stand-up; reviewers noted that while the show is relentlessly crude, offensive, and full of foul language, it is anchored by exceptional storytelling skill, genuine depth, and unexpected warmth.
In the room: An ecstatic, sold-out West End theatre audience responding enthusiastically to taboo-shattering, shocking material.
Backstory
Facing personal alcohol dependency, Jefferies vowed this would be his last special recorded while drunk, planning to quit drinking after years of alcohol abuse and liver damage.
Details
- Released
- Taped
- Lyric Theatre, London
- Runtime
- 76 min
- Where
- Comedy Central
- Topics
- Before
- Contraband Live (2008)
- After
- Fully Functional (2012)
More from Jim Jefferies
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Two Limb Policy
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High n' Dry
Netflix
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Intolerant
Netflix
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This Is Me Now
Netflix
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Freedumb
Netflix
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Bare
Netflix
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