Captain Miserable
HBO · 2007 · 58 min
Late-night raunch delivered to a surprisingly polite theater crowd.
Dave Attell spends a good portion of Captain Miserable trying to bend a polite theater audience to his usual late-night club rhythms. Armed with a rapid-fire delivery, he fires off filthy setups to a crowd that takes a minute to catch up. He gets the most out of his specific vocal mechanics. By deploying sudden whispers and abrupt volume changes, Attell manages to sell otherwise straightforward premises about soup, potheads, and the anatomical shape of Florida.
Filmed at Washington D.C.’s Lincoln Theater in 2007, the special arrived a few years after his Comedy Central series Insomniac ended. Attell later admitted the taping felt like “going uphill” against a stiff room, forcing him to pivot mid-stride during a bit about pedophiles.
Reception was divided. Some critics praised his undeniable timing, while others dismissed the set as dirty for the sake of being dirty. Either way, it functions as a snapshot of a working road dog tossing out pitches for Jagermeister commercials and venting about performing for troops in the Middle East.
The set list
-
Sexually assaulting Jack O'Lanterns
Attell jokes about being inflamed by their come-hither grin.
-
Taking his mother to a Florida retirement home
Described as 'half-business, half-pleasure', noting that Florida looks like a penis.
-
Suggesting oral sex
Proposes the polite phrasing 'Let's make throat babies!'
-
Bad hand jobs
Addresses women in the audience by asking if their stepfathers taught them anything.
-
Illegal abortion and gravity
Suggests staircases could make a comeback because authorities can arrest back-alley doctors, but 'they can't arrest gravity!'
How it plays
- Tone
- Loud, raunchy, self-deprecating, and unapologetically dirty.
- On stage
- Described as a balding pudge with a skeevy beard and friendly dark eyes combining deeply pervy and palsy-walsy qualities, presenting a functionally alcoholic, sarcastic stage identity.
- Pace
- Quick-fire delivery and drunken energy featuring sudden lurches of profane logic, rolling cadence, and vocal tics ranging from perfectly timed whispers to yelling.
- About
- alcohol consumption, dating and sex, current events, celebrities, drugs, pornography
What the critics said
Divided. Some critics praised Attell's rhythmic delivery, vocal range, and quick-fire profanity, while others felt the material lacked depth and relied on vulgarity for its own sake in a venue that felt too large for his club-honed style.
In the room: Energetic and receptive in the venue, though multiple reviewers noted his act felt slightly disconnected from the large theater setting compared to intimate comedy clubs.
Backstory
Released in late 2007 during the Writers Guild of America strike, which Attell participated in.
Details
- Released
- Taped
- The Lincoln Theater, Washington
- Runtime
- 58 min
- Where
- HBO
- Director
- Beth McCarthy-Miller
- Honors
- Dubbed one of the '25 Funniest People in America' by Entertainment Weekly
- Topics
- Before
- Skanks for the Memories... (2003)
- After
- Road Work (2014)
More from Dave Attell
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Hot Cross Buns
Netflix
-
Bumping Mics
Netflix
-
Road Work
Comedy Central
-
Skanks for the Memories...
Comedy Central Records · Album
-
Comedy Central Presents
Comedy Central
-
Pulp Comics
Comedy Central
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