Crazy Normal
Showmax · 2011 · 1 h 39 min
A hometown farewell hour filmed just before his move to America.
Trevor Noah is a mimic by trade, but his impressions serve a highly functional purpose. The routine relies heavily on his vocal control to map out the absurdities of post-apartheid South Africa. He reconstructs President Jacob Zuma’s halting, punctuation-defying speeches, acts out the internal panic of a flight crew hitting severe turbulence, and compares American airport security to South Africa’s relaxed honesty system where guards wield metal detector wands like Excalibur.
Filmed at the Nelson Mandela Theatre in Johannesburg in 2011, the set captures the comedian at a distinct transition point. Billed as a farewell tour before he moved to the United States, the hour is steeped in local references but built with the mechanics of global arena comedy.
The darkest material is handled with a strangely light touch. Noah closes by recounting the time his mother miraculously survived being shot in the head by his stepfather. Instead of pausing for sympathy, he focuses on the bureaucratic nightmare of public hospitals, the 24,000 rand medical bill, and his younger brother getting angry about losing PlayStation privileges during the crisis.
The set list
-
Singing intro / opening musical segment
Noah sings during the opening sequence of the special.
-
South African Indians
Noah performs observational humor about Indians in South Africa talking fast.
-
Jacob Zuma on Facebook and singing the national anthem
Noah satirizes former South African President Jacob Zuma using Facebook and singing.
How it plays
- Tone
- Satirical, provocative, good-humored, and rooted in South African observational humor.
- On stage
- Confident, charming, and acting as an equal-opportunity offender unafraid of tackling racial caricatures and sensitive political topics.
- Pace
- Demonstrated marked improvement in comedic timing, delivery, and improvisational rhythm.
- About
- race and racial tropes, politics, corruption, poverty, South African society and culture
What the critics said
Regarded in academic and cultural commentary as an example of sharp political and social satire in post-apartheid South Africa, exhibiting polished delivery and improvisation.
Backstory
Performed in South Africa during a period when the country's reputation as a 'miracle' democracy was grappling with persistent poverty, racial inequalities, and social and political issues.
Details
- Released
- Runtime
- 1 h 39 min
- Where
- Showmax
- Director
- David Paul Meyer
- Topics
- After
- African American (2013)
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