Home for the Holidays
Showtime · 2017 · 58 min
Lavell Crawford mocks childhood holiday disasters and his recent weight loss.
Lavell Crawford walks onto the stage in St. Louis looking noticeably lighter, having lost over 150 pounds after realizing his physical “check engine light” was starting to flash. Rather than pivot to the boring routines of a fitness convert, he keeps his focus anchored on the domestic chaos of his childhood. Introduced by his mother, Crawford spends his hour taking a cynical look at the commercial hostage-takings that constitute the American holiday calendar.
Filmed at The Pageant in August 2017, the special frames every major celebration as a struggle against financial strain and family eccentricity. Crawford traces the realities of growing up poor in Missouri, where the popcorn on his Christmas tree attracted roaches and his best Secret Santa gift, a Hardee’s gift card, came with a catch. Thanksgiving, his childhood favorite, gets the most detailed treatment, complete with a story about a cousin ruining a bowl of peach cobbler.
The set also targets the inescapable guilt of Mother’s Day and the logistical misery of a family road trip to Disneyland. At this point in his career, Crawford was enjoying a profile boost from playing Saul Goodman’s bodyguard Huell on Breaking Bad and Better Call Saul.
The set list
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Weight loss and health issues
Explaining that his 'check engine light' was coming on after battling sleep-disrupting weight gain and taking diabetes medicine with sweet tea.
-
Christmas presents and tree decorations
Detailing growing up with roaches eating the popcorn garland off the Christmas tree and receiving a Secret Santa Hardee's gift card that came with a catch.
-
Halloween and haunted houses
Joking that Black Americans already face enough real-life fears without needing to make haunted houses, and noting what horror films have taught Black audiences.
-
Fourth of July family reunion BBQ
Performing a multi-person re-enactment of how his aunts and uncles behave at an annual holiday cookout.
-
Mother's Day vs. Father's Day
Describing how his mother could guilt-trip him into stealing for her on Mother's Day, contrasting with his lack of leverage on Father's Day.
-
Presidential politics
Observing that the sitting president acts more 'gangster' or stereotypically Black than the previous occupant of the White House.
How it plays
- Tone
- Warm, relatable, self-deprecating, and candid.
- On stage
- Laid-back, memory-soaked storytelling style characterized by distinctive vocal cadence, mannerisms, and witty characterizations.
- About
- Holidays (Thanksgiving, Christmas, Halloween, 4th of July, Easter, Mother's Day), Dramatic weight loss, diabetes, and mortality, Growing up poor in Missouri and family dysfunction, Family vacations to Disneyland, Racial differences and politics
What the critics said
Praised as a warm, funny, and highly relatable special that elevates traditional holiday comedy through vivid multi-person re-enactments and candid personal stories.
In the room: Energetic hometown crowd across two sold-out shows at The Pageant enthusiastically eating up Crawford's material.
Backstory
Filmed in Crawford's hometown of St. Louis following a major 160-pound weight loss prompted by serious health and diabetes complications.
Details
- Released
- Taped
- The Pageant, St. Louis
- Runtime
- 58 min
- Where
- Showtime
- Director
- Brian Volk-Weiss
- Topics
- After
- New Look, Same Funny (2019)
More from Lavell Crawford
-
I Could Eat Part 1
Comedy Dynamics
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Thee Lavell Crawford
Comedy Dynamics
-
New Look, Same Funny
Comedy Dynamics
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