I Love Everything
Netflix · 2020 · 67 min
A happily remarried comic takes on the quiet horrors of turning fifty.
Patton Oswalt spent his previous stand-up hour working through the sudden death of his wife. By the time he walked onto the stage at the Knight Theater in Charlotte, North Carolina, he was fifty years old, remarried, and dealing with the less tragic but still agonizing realities of domestic stability. The resulting set is a lighter, more relaxed hour that trades existential grief for the minor indignities of middle age.
The writing is strongest when Oswalt turns his loquacious frustration toward the banal. He describes healthy adult cereal as tasting like ‘an unpopular teenager’s poetry,’ contrasts midlife sex to working an understaffed shift at McDonald’s, and spends a long, memorable sequence on a home renovation nightmare dominated by a painting subcontractor named Kirby. There is a brief, weary acknowledgment of political comedy—specifically the futility of trying to joke about an administration he compares to an 18-wheeler full of monkeys on PCP crashing into a train of diarrhea—but Oswalt is far more interested in smaller, domestic struggles. That includes a classic bit about his daughter begging to visit Denny’s, a restaurant he describes not as a deliberate choice but as a place people only end up after a series of terrible life decisions.
Released on Netflix in May 2020, the special found Oswalt in a warmer, looser space. It lacks the heavy thematic weight of his previous work, but the trade-off is a comic who seems genuinely happy to be on stage talking about wallpaper.
The set list
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The closer (spoiler). Show it
Reflecting on existential dread and the kid's menu characters at Denny's after a father-daughter date.
Frames Denny's as a self-aware neutral crossroads for people at personal extremes, imagining detailed tragic backstories for the animated menu items.
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The stultifying adult breakfast cereals required after turning 50.
Satirizes the long-winded hippie origin stories printed on cereal boxes, imagining that the organic cereal founders run a murder cult farming bodies for fertilizer.
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Hiring subcontractors to renovate a new home.
Describes a wallpaper installer who yells all day at an imaginary assistant named Kirby.
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Attending his daughter's second-grade art show.
Laments that attending the school function cost him a once-in-a-lifetime opportunity to board a full-scale Millennium Falcon.
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Middle-aged exercise and hiking.
Describes hiking in middle age as walking 'little doom ovals' while listening to podcasts.
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Explaining why he does not tell Trump jokes.
Contends that the political climate is an absurd spectacle like an 18-wheeler full of monkeys and PCP crashing into a train full of diarrhea.
How it plays
- Tone
- Witty, irreverent, sunny-side up, and warm with existential flourishes.
- On stage
- Amiable, generic dad figure and singer-songwriter style low-key storyteller who splits himself between a comfortable everyman observer and an imaginative conduit for bizarre characters.
- Pace
- Low-key, frothy, brisk, and measured.
- About
- turning 50 and aging, healthy adult breakfast cereal and ancient grains, buying a home and dealing with strange subcontractors, fatherhood and parenting, remarriage and finding love again, Denny's diner culture
What the critics said
Critically acclaimed as a solid, witty, and writerly hour where Oswalt's knack for vivid wordplay and eccentric character portraits shines.
Backstory
Reflecting on turning 50, buying a house, raising his daughter, and finding love again following the 2016 death of his first wife Michelle McNamara, having remarried actress Meredith Salenger.
Details
- Released
- Taped
- 2019, Knight Theater, Charlotte
- Runtime
- 67 min
- Where
- Netflix
- Director
- Marcus Raboy
- Honors
- Emmy Nominee
- Topics
- Before
- Annihilation (2017)
- After
- We All Scream (2022)
More from Patton Oswalt
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Tea & Scotch
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Black Coffee and Ice Water
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We All Scream
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Annihilation
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Talking for Clapping
Netflix
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Tragedy Plus Comedy Equals Time
Comedy Central
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