Am I Yelling?
Stand Up! Records · Album · 2020
A loud comedy album about surviving marriage and four children.
Bil Dwyer has the face of a man who gets mistaken for an undercover cop at a retail store, a fact he is quick to acknowledge. What he lacks is an indoor voice, an occupational hazard that comes from raising four children and spending years hosting BattleBots. His 2020 stand-up album, Am I Yelling?, leans heavily into the domestic grind, treating a quarter-century of marriage not as a romantic triumph, but as a series of exhausting negotiations.\n\nReleased by Stand Up! Records, the album finds Dwyer joking about the slow decay of marital communication. He explains how he and his wife have managed to distill twenty-five years of cohabitation into exactly three daily questions: “What?”, “Is there coffee?”, and “The fuck you lookin’ at?” Dwyer’s self-deprecation keeps the domestic material from feeling tired, whether he is detailing how doing a little light housekeeping after sex can boost his performance ratings, or comparing his own intimate noises to a pug trying to lick a peanut butter jar clean.
The set list
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Looking like an undercover cop
Dwyer acknowledges he looks like an undercover cop, specifically the drug-taster who rarely gets to brutalize anyone, and examines scenes in cop shows where officers taste substances.
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Testing the cherish vow in marriage
Explores how the vow to cherish gets tested after 25 years of marriage, reducing marital conversations down to three simple questions and contrasting it with Utah-style multiple wives.
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True sex noises and performance ratings
Compares his uninhibited sex noises to a frustrated pug licking a peanut butter jar clean, and jokes that doing light housekeeping afterward helps boost spousal performance ratings.
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Night out check-in calls
Details how calling home just to check in from an evening out signals the need to assemble bail money and baby-proof the hallway to the bed.
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Birth Time
Dwyer points out how there is always one guy who ruins it for everyone else during childbirth.
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The closer (spoiler). Show it
Let's Play Pigeon
Paints a vivid picture of children pretending to be pigeons in exchange for Doritos.
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The homeless and banana bread
Connects homelessness with banana bread.
How it plays
- Tone
- Relatable, sardonic, unpretentious, and non-political.
- On stage
- Affable, open, somewhat sarcastic with an underlying Midwestern sweetness; described as not having an indoor voice, yet avoiding aggressive shouting.
- Pace
- Smooth, accessible, and measured rather than shouty or aggressive.
- About
- marriage and long-term relationships, aging and physical appearance, parenting and children, workplace rules and cubicles, sex
What the critics said
Richard Lanoie of The Serious Comedy Site praised it as an entertaining, solid album that makes familiar domestic and relational topics fresh, interesting, and far superior to standard fare, providing a smooth listening experience.
Backstory
Released in September 2020 during the COVID-19 pandemic as a quarantine comedy release. Bil Dwyer had been married since the 1990s with four children, though he discussed life post-divorce around the release date.
Details
- Released
- Where
- Stand Up! Records (album)
- Topics
- Before
- Comedy Central Presents (2001)
More from Bil Dwyer
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Comedy Central Presents
Comedy Central
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