America Is the Greatest Country in the United States

Judah Friedlander · 2017 · Netflix

America Is the Greatest Country in the United States

Deadpan political crowd work in a New York basement.

October 30, 2017 TV Special

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Most stand-up specials filmed for major streaming services are slick, highly-choreographed events captured in grand, cavernous theaters. Judah Friedlander takes the opposite route here, setting up in the low-ceilinged, cramped rooms of New York’s Comedy Cellar to shoot an intimate, black-and-white set built almost entirely on crowd interaction. Armed with his signature “World Champion” persona and a trucker hat, Friedlander treats the audience not as a passive crowd to lecture, but as sparring partners in a mock-presidential campaign.

Released on Netflix in late October 2017, the 84-minute special was compiled from multiple performances recorded across several nights in Greenwich Village (including the Fat Black Pussycat and the Village Underground). At this point in his career, Friedlander was best known as the silent, bizarre hat-wearing writer Frank Rossitano on 30 Rock, but this special marked his first feature-length comedy film and a deliberate shift in his stage persona. Instead of boasting about his absurd physical prowess and karate skills, he directs his deadpan style toward American exceptionalism, global politics, and the absurdities of daily life—presenting himself as a write-in candidate ready to solve the world’s problems through sheer arrogance.

Friedlander’s primary tactic is to pick out international tourists in the audience and systematically demonstrate why their home nations are inferior to the United States. When a Canadian points out that their flag only features red and white, Friedlander counters that the American flag has red, white, and blue (just like Cuba and North Korea) to prove it is flawless. He handles topics like healthcare, climate change, and drone strikes with a mock-bureaucratic logic, arguing that drones are actually bad because they take delivery jobs away from hard-working carrier pigeons.

Critics praised the special’s low-budget, DIY aesthetic for capturing the actual, unpolished energy of a late-night New York comedy club, contrasting it with the over-produced arena specials dominating the streaming landscape.