Boyish Girl Interrupted
HBO · 2015 · 55 min
Tig Notaro delivers quiet deadpan stories and eventually goes topless.
The image of Tig Notaro is often tied to her 2012 “Live” set, where she walked on stage days after a breast cancer diagnosis and announced it to the crowd. She works to prove she is, as she repeatedly tells the audience, just a person. The peak of this transition occurs when Notaro, mid-anecdote about a baffling TSA pat-down, casually removes her shirt. Showing her double-mastectomy scars, she goes on to perform the final third of the hour entirely topless, barely acknowledging the nudity. It is a striking visual moment that manages to be both a triumphant assertion of survival and a joke about the absurdity of a half-naked comic pacing the stage.
Filmed at the Wilbur Theatre in Boston and released on HBO in August 2015, the special caught Notaro at a professional high. She had spent the previous three years managing a whirlwind of tragic headlines, critical acclaim, and multiple documentary projects. Here, her comedy leans heavily into the playful, deadpan silliness that defined her early career before her illness. She breaks down the various types of audience laugh noises, such as the post-giggle sigh, and acts out a painstaking, slow-burn story about chasing a Santa Claus lookalike in a McDonald’s parking lot.
Much of the set is anchored by her slow, deliberate pacing. In a centerpiece routine about bombing 14 straight shows in Las Vegas, she mimes eating an imaginary ice cream cone, deliberately keeping the microphone away from her face to heighten the physical absurdity. Other routines focus on the logistics of getting buried next to her fiancée and the culture clash of introducing her partner to her Southern family. The special received wide acclaim, earning an Emmy nomination for writing, while its subsequent audio release picked up a Grammy nomination for Best Comedy Album.
The set list
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TSA airport security pat-down
Recounts a confusing security screening where a female TSA officer panics trying to discern Notaro's gender, while Notaro intentionally stays quiet to let her struggle.
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Performing topless onstage
Removes her blazer and shirt to reveal her double mastectomy scars, then nonchalantly pivots into routine comedy about being afraid to fly without acknowledging her naked torso further.
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Searching for Santa Claus
Details adult excitement at spotting a man who looks exactly like Santa Claus in a McDonald's parking lot.
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Audience laugh noises
Dissects the bizarre noises audiences make, specifically the reminiscent sigh right after a laugh or a pig-like snort.
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Bombing in Las Vegas
Reflects on performing and bombing a stand-up set in Las Vegas.
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Mother's childhood rug
Explains that she filmed the special in Boston just so she could stand onstage on a rug brought from her deceased mother's childhood home.
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Meeting family in Mississippi
Brings her fiancée to meet her eccentric family in Mississippi and jokes about being 'gay buried' next to her.
How it plays
- Tone
- Subtle, understated, deadpan, blending silliness with dark personal honesty.
- On stage
- Deadpan, quietly spoken, dry, monotone, solemn yet mischievous and impish, marked by relaxed confidence and nonchalance.
- Pace
- Low, slow, and measured pacing with heavy reliance on deliberate silences, long pauses, and minimalist delivery.
- About
- cancer and double mastectomy, gender confusion and perception, mortality, family, air travel and TSA, everyday silliness
What the critics said
Critically acclaimed for its cool confidence, masterful understated delivery, and the groundbreaking, unapologetic choice to perform topless to normalize her post-mastectomy body.
In the room: Delighted, rapt, and cheering, initially surprised and whistling at her toplessness before fully settling into laughter.
Backstory
Taped three years after a tumultuous 2012 where she survived a severe intestinal infection, the sudden death of her mother, and a bilateral breast cancer diagnosis requiring a double mastectomy without reconstruction; taped while planning her wedding to Stephanie Allynne.
Details
- Released
- Taped
- Wilbur Theatre, Boston
- Runtime
- 55 min
- Where
- HBO
- Director
- Jay Karas & Tig Notaro
- Honors
- Nominated for Outstanding Writing for a Variety Special at the 68th Primetime Emmy Awards (2016)Nominated for Best Comedy Album at the 59th Annual Grammy Awards (2017)
- Topics
- Before
- Knock Knock, It's Tig Notaro (2015)
- After
- Happy To Be Here (2018)
More from Tig Notaro
-
Hello Again
Prime Video
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Drawn
HBO
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Happy To Be Here
Netflix
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Knock Knock, It's Tig Notaro
Showtime
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Live
LouisCK.com · Album
-
Comedy Central Presents
Comedy Central
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