Dirty Clean
HBO · 2018 · 57 min
Earnest stand-up about new fatherhood, Elon Musk, and yoga pants.
Pete Holmes is a comedian who wants his audience to feel warm, safe, and happy, even when he is talking about wanting to shake a crying baby. He performs with an aggressive, puppy-dog earnestness, spending as much time managing the mood in the room as he does delivering punchlines. He treats the entire performance like a shared physical exercise, at one point instructing the crowd to sing “Happy Birthday” in their heads to see if they can collectively make the silent chorus louder.\n\nTaped at the Aladdin Theater in Portland, Oregon, this 2018 hour was filmed while his HBO sitcom Crashing was between its second and third seasons. It reflects a comedian who is much more settled and content than his onscreen counterpart. Holmes is a new father who has discovered that the best part of sleep is the act of falling asleep, and a suburban convert who happily wears Lululemon yoga pants without ever intending to do yoga. He touches on the afterlife and Elon Musk, but the core of the show remains his peculiar, high-energy charm—the kind that leads older ladies to thank him for being “clean” right after a set full of swear words.
The set list
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Child care and the warning never to shake a baby
Holmes points out how hospital nurses constantly warn parents never to shake a baby, but fail to mention that new parents will inevitably face the intense temptation to do so, comparing rocking a crying infant to kind of shaking them.
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Proposing in a hot-air balloon
Holmes recounts getting engaged while riding a rainbow-colored hot-air balloon with a pilot who continually ruined the moment by calling everything 'gay'.
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The afterlife and precedent
He counters friends who claim an afterlife makes no sense by arguing that life itself makes no sense, thereby setting a precedent for more things that make no sense.
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Mike Pence gummy bear comparison
Observes that Mike Pence looks like a clear gummy bear and riffs on his rule regarding never being alone in a room with a woman other than his wife.
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Friend saying 'the N-word'
Holmes recounts having lunch with a Black friend who repeatedly said the phrase 'the N-word' instead of the actual slur, prompting Holmes to joke that the phrase belongs to white people.
How it plays
- Tone
- Joyful, silly, warm, authentic, and philosophically inquisitive.
- On stage
- An affable, joyous goof and wide-eyed spiritual seeker who over-enunciates words and embraces both silly and raunchy comedy.
- Pace
- Evolves across three phases described as crashing, climbing, and enlightenment, starting off slightly scattered before building steady momentum and driving into deep existential reflections.
- About
- new fatherhood and childcare, marriage and engagement, consciousness and the human body, the afterlife, clean vs. dirty comedy, driving and traffic
What the critics said
Critical reviews were favorable, highlighting Holmes's infectious joy, philosophical curiosity, and command over audience manipulation and engagement.
In the room: Taped before a sold-out Portland audience described as smart, hip, and receptive, enthusiastically taking part in group visualization exercises.
Backstory
Holmes had recently married Valerie Chaney and welcomed a newborn daughter, transitioning his stage comedy away from his early clean Christian comedy persona toward authentic adult material blending dirty topics with positive intent.
Details
- Released
- Taped
- Aladdin Theater, Portland
- Runtime
- 57 min
- Where
- HBO
- Director
- Marcus Raboy
- Topics
- Before
- Faces and Sounds (2016)
- After
- I Am Not for Everyone (2023)
More from Pete Holmes
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Silly Silly Fun Boy
YouTube
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I Am Not for Everyone
Netflix
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Faces and Sounds
HBO
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Nice Try, The Devil
Comedy Central
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