HBO Comedy Half-Hour
HBO · 1998 · 30 min
An early 1998 set featuring absurdist tangents and no segues.
Before he became the elder statesman of erudite nerd rage, a younger, looser Patton Oswalt stepped onto an HBO stage armed with an announced lack of segues and an intense commitment to surreal imagery. This set captures a comic in transition. He leans hard into the alternative sensibilities that would eventually make his name, but he is still tinkering with the exact delivery system for his absurdist tangents.
Filmed in San Francisco and aired in January 1998, the broadcast arrived just months before Oswalt landed a mainstream sitcom role on The King of Queens. The pacing here is noticeably different from the tightly structured albums that defined his later career. Retrospective reviews point to a sprawling, stubborn bit about a barn full of clown pubes as proof of his early willingness to test an audience’s patience. He also lays the groundwork for decades of physical self-deprecation, bluntly comparing his appearance to a “little lesbian” as he figures out what works for him on stage.
How it plays
- Tone
- Irreverent, raucously funny, insightful, and topical
- On stage
- Clever, quick-witted, and sharp, utilizing self-deprecation and his trademark high-pitched voice
- Pace
- Full of energy and enthusiasm with sharp comedic timing
- About
- politics, popular culture, everyday situations, family, news stories, celebrity gossip
Backstory
Season 4, Episode 2 of HBO's half-hour stand-up comedy series showcase
Details
- Released
- Runtime
- 30 min
- Where
- HBO
- Topics
- After
- Comedy Central Presents (1999)
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Tea & Scotch
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Black Coffee and Ice Water
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We All Scream
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Annihilation
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Talking for Clapping
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