Someday You'll Die
HBO Max · 2024 · 60 min
A raunchy hour of stand-up about aging and childlessness.
Nikki Glaser opens her second HBO hour by mourning the loss of a friendship to a newborn baby, setting the tone for a set that rejects traditional milestones in favor of aging on one’s own terms. Her comedy has always leaned heavily into the details of her personal life, but here she frames her characteristic raunchiness within a larger, cynical contemplation of mortality. The standout moments rely on physical work, such as when she acts out her planned cosmetic brow lift by pulling her face taut to admire the result.\n\nFilmed at the Moore Theatre in Seattle, the special premiered on Max in May 2024, capitalizing on a wave of public attention following Glaser’s performance at The Roast of Tom Brady only a week prior. She uses the hour to tackle her commitment to childlessness, her sexual fantasies, and her history with depression. While a detour into the mechanics of cancel culture feels well-trodden, the show is at its strongest when Glaser turns her self-deprecating eye toward her own inevitable decline. The special went on to earn two Emmy nominations, including one for picture editing, and drew some of the highest premiere-week viewership for an HBO comedy special in years.
The set list
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Mourning friendships lost to friends having babies and contrasting age-related infertility with unfair pregnancies
Examines her commitment to childlessness, dark thoughts about pregnant friends, and the absurdity of reproductive biology
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Comedians using personal caveats and disclaimers to avoid getting canceled
Satirizes comics who justify controversial or offensive jokes by citing their relationships to marginalized groups, comparing it to claiming permission to discuss suicide or rape
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Suicidal ideation, assisted death, and American healthcare access
Jokes about wanting a dignified exit via euthanasia while noting that guns are far easier to acquire in America than compassion, repeatedly reminding viewers of the 988 lifeline
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Aging and funding cosmetic surgery
Talks about spending special earnings on a brow lift and acting out facial pulling in the mirror to critique societal beauty pressures on aging women
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Susan Boyle's 2009 Britain's Got Talent audition
Bursts into song to unpack the viral talent show moment, highlighting society's immediate impulse to judge women based purely on conventional attractiveness
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The closer (spoiler). Show it
Role-playing, fantasy, and working the stage stool
Describes graphic bedroom fantasies including being blindfolded to imagine multiple partners, concluding with a physically intensive stool act-out satirizing traditional 1990s male comics and questioning her career choices at age 39
How it plays
- Tone
- Dark, cynical, sexually explicit, irreverent, and provocative yet personal
- On stage
- Brutally honest, glamorous, confident, and unapologetic; described as a 'walking intrusive thought' willing to delve into macabre and taboo thoughts
- Pace
- Solid, rhythmic cadence with meticulous comedic timing, balancing dark musings with physical acting and stage movement
- About
- Childlessness and friends having children, Aging and physical appearance, Sexual fantasies and role-playing, Suicidal ideation and euthanasia, Comedic disclaimers and cancel culture
What the critics said
Praised for Glaser's fearless confidence, glamorous stage presence, and ability to blend personal introspection with darkly relatable musings, though noted as potentially too dark or crude for some audiences
In the room: Enthusiastic, sold-out crowd greeting her with rock-star adoration, responsive cheers, and occasional moments of tense, provocative shock
Backstory
Filmed in December 2023 and released shortly after her breakout, widely praised performance at the live Roast of Tom Brady on Netflix; also addresses contemporary stand-up tropes such as cancel culture caveats and content warnings
Details
More from Nikki Glaser
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Good Girl
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Good News
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Good Clean Filth
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Bangin'
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Nikki Glaser
Netflix
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Perfect
Comedy Central
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