No Apologies (The Real Me)
1993 · 65 min
An unfiltered pay-per-view broadcast from a shock comic at his peak.
The appeal of the Diceman in the early nineties was the total absence of guardrails. No Apologies was built specifically to bypass network censors and broadcast straight to pay-per-view, giving audiences uninterrupted access to the leather jacket, the cigarette, and the hostility. He spends the hour leaning heavily into crowd work, targeting front-row attendees with unscripted insults, before retreating to his trademark dirty nursery rhymes and extended rants about sex and dating.
Filmed live at the Westbury Music Fair on Long Island in July 1993, the set arrived after Andrew Dice Clay had already achieved the feat of selling out Madison Square Garden on consecutive nights. He was arguably the biggest touring draw in stand-up, leveraging his reputation as the reigning bad boy of the medium. The material here is highly specific to its era, packed with the abrasive crowd interactions and aggressive posturing that defined his arena-filling persona.
The gamble worked. The broadcast set records at the time, grossing higher than any other non-sports pay-per-view event that year with a quarter of a million buys. Retrospective reviews often note how quickly the shock value faded once the culture moved on, leaving behind a time capsule of a comic at peak swagger. Fans of the original broadcast should note that subsequent home video releases stripped out his opening act, Michael “Wheels” Parise, along with his Black Crowes entrance music.
The set list
-
Why he is considered a bad guy for talking dirty while celebrities like Madonna and Woody Allen do worse.
A defensive rant posing questions about double standards for vulgarity versus celebrity scandals.
-
'I'd eat the corn out of her shit, to bang that'
A repetitive, filthy sexual one-liner gag.
-
Signature naughty nursery rhymes
Vulgar, dirty twists on traditional nursery rhymes delivered to conclude the performance.
How it plays
- Tone
- Raunchy, aggressive, vulgar, and expletive-filled.
- On stage
- The Dice-Man; an aggressive, potty-mouthed, and larger stage presence spitting venom at front-row audience members.
- Pace
- Struggles to build momentum, featuring rambling stories and half-finished jokes that lack punchlines.
- About
- masculinity, world politics, celebrity double standards, sexual humor
What the critics said
Viewed critically as desperate and cringe-inducing, with Clay overestimating his audience with half-finished, momentum-free material, though his dedicated fanbase still lapped up the expletive-laden sexual jokes.
In the room: Fans lapped up the vulgar material despite the comic aggressively targeting front-row attendees.
Details
- Released
- Taped
- Westbury Music Fair
- Runtime
- 65 min
- Director
- David Bergman
- Topics
- Before
- And His Gang Live! The Valentine's Day Massacre (1993)
- After
- I'm Over Here Now (2000)
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40 Too Long
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Dice Rules
Seven Arts
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The Day the Laughter Died
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