Unruly
Netflix · 2015 · 83 min
A veteran comic tackles cable news, air travel, and fast food.
Ralphie May’s first Netflix special, Unruly, catches the comic twenty-five years into his career. Dropping the same day as the third season of House of Cards—a release schedule May joked was like trying to body surf a tsunami—the hour relies on the conversational southern charm that built his touring audience. He works the stage at the Cobb Energy Performing Arts Centre in Atlanta, dispensing extended riffs on pop culture, air travel, and the unique dread of seeing Anderson Cooper show up in your city.
May remains comfortable with controversy, pushing through bits on race, generational shifts in oral sex, and the gravitational pull of fast food. He peppers the hour with crowd work and a highly specific anecdote about a gay friend waking up to a surprise favor at a party. Late in the set, he pauses the jokes to speak directly to his son, offering advice in the event he isn’t around to see the boy turn fifteen. It is an earnest moment that stands out amid an otherwise high-volume hour.
The set list
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Everyone being a little racist when they drive
Explores everyday racial biases and stereotypes triggered behind the wheel.
-
Pride in the American South and media distrust
Opens with remarks proclaiming pride in the South ('or, as I like to call it, America') and criticizing CNN for inventing news.
-
Drug use and stoner culture
Shares stories detailing personal drug use while openly advocating for stonerism.
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Explicit sexual techniques and teenage church girl encounters
Frames explicit descriptions of digital and oral sex, along with teenage attempts to bed churchgoing girls, as a 'life lesson' for young men.
How it plays
- Tone
- Raunchy, irreverent, and no-holds-barred.
- On stage
- Hilariously raunchy, no-holds-barred, and irreverent southern comic speaking frankly about touchy subjects.
- About
- Airline travel, News media, Chick-fil-A, Racism when driving, Southern pride, Drug use and stonerism
What the critics said
Considered raunchy and unapologetic; reviews noted that while early stoner and media-critique material was divisive, the frank discussions of sex, relationships, and graphic storytelling won over the crowd.
In the room: A raucous, fist-pumping crowd that was eating out of his hand by the end of the show.
Details
- Released
- Taped
- Cobb Energy Performing Arts Centre, Atlanta
- Runtime
- 83 min
- Where
- Netflix
- Director
- John Asher
- Topics
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