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Promotional art for I Don't Trust Adults
Cover image credit: via TMDB

I Don't Trust Adults

Ruby Karp

Veeps · 2026 · 75 min

A solo comedy set settling grudges with childhood authority figures.

Released , on Veeps.

Ruby Karp frames her solo show around six specific grown-ups who broke her trust, treating her upbringing in the comedy scene as an extended grudge list. Having spent her childhood running around the Upright Citizens Brigade basement, interviewed by Amy Poehler at seven and hosting her own stand-up show at eleven, she presents herself as a failed child star who saw behind the curtain years before finishing high school.

The set draws its strongest material from Karp’s strange early brushes with public attention. At thirteen, she wrote a viral essay explaining why teenagers were abandoning Facebook, which prompted adult journalists to publish hostile critiques targeting an eighth grader. She folds that public spat into stories about high school theater directors who brought her to tears, using projection slides and archival home videos to document the damage.

Filmed at New York’s SoHo Playhouse following an Off-Broadway run before streaming on Veeps, the performance clocks in at under an hour. By that point, Karp had spent time writing for late-night television digital teams and acting on the improvised series The Charlie Puth Show, bringing an industry veteran’s cynicism to someone barely in her mid-twenties.

Off-Broadway audiences responded warmly to the autobiographical tone, especially those raised on theater camps and early social media, though some theatergoers felt the slide-show confessional approach resembled personal therapy more than a traditional stand-up routine.

Notable bits & set list

3 bits
  1. The story of six different adults who caused her to distrust grown-ups forever

    Recounts experiences with theater teachers who made her cry, writers who published hit articles on her, and an alleged connection involving Mark Zuckerberg.

  2. Her parents getting divorced when she was three years old

    Notes that she does not remember the divorce and pokes fun at her mother, who loves attention and attends every performance.

  3. Visiting Depop sellers in their home showrooms

    Details the awkward social pressure of being invited into a stranger's house and feeling compelled to spend an entire paycheck on clothing.

How it plays

Tone
Dark, energetic, hilarious, sharp, and heartfelt.
On stage
Energetic and dark, blending theatrical presence with standup comedienne sensibility and slightly chaotic energy.
Pace
Energetic, dynamic, and a bit chaotic.
About
mistrust of adults, growing up as a child performer, theater school and theater kids, broken adult promises, parental divorce, seeking personal autonomy

What the critics said

Appraised as a sharp, hilarious, and heartfelt coming-of-angst show that blends one-woman theatrical performance with standup comedy.

Summed up from reviews, articles and listings. Sources: deadline.com, themoviedb.org, shownews.net, standupd.com, emerson.edu, timeout.com, show-score.com, ladygunn.com, en.wikipedia.org, thecomicscomic.com.

Backstory

Drawing on her life as a self-described 'failed child star' growing up in the comedy world and media scrutiny from a young age, unpacking the impacts of adult behavior on children in entertainment.

Details

Released
Taped
SoHo Playhouse, New York
Runtime
75 min
Where
Veeps
Director
Britt Berke
Topics
Featured in
Chris Cantrill’s Quiet Life Requires an Investigation ·

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