Stay Hungry
Netflix · 2019 · 65 min
A highly physical performance about the minor embarrassments of modern life.
Sebastian Maniscalco excels at turning mundane social friction into physical theater. His performance is less about classic setups and punchlines and more about how far he can contort his face and body to mimic his own disbelief. Whether he is demonstrating the windmill arm-flailing of a gym-goer or creeping through a gas station ‘death hut’ mini-mart at midnight, his comedy relies on a highly animated, deeply expressive physical vocabulary that works even from the back row of a massive venue.
This performance was filmed during his record-breaking five-night run at Radio City Music Hall in New York City, a peak moment in his highly lucrative Stay Hungry tour. In early 2019, Maniscalco was operating at the absolute height of his commercial power. The same week this special debuted on Netflix, he sold out Madison Square Garden four times, was enjoying a bump from his role in the Academy Award-winning film Green Book, and was preparing for the release of Martin Scorsese’s The Irishman.
The material here acts as a companion piece to his memoir of the same name. He leans heavily into the culture clash of his traditional, therapy-shunning Italian-American upbringing against modern sensibilities, taking aim at bizarre flight passengers bringing pets on planes, pretentious spin classes, and the aesthetic horror of outdoor pregnancy photo shoots. While some critics noted that his high-strung, angry-guy persona can be exhausting over a full hour, his fans welcomed the energetic, sweat-inducing commitment to the bit.
The set list
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The irritating sins of gym neighbors on treadmills.
Maniscalco breaks down seven irritating habits of fellow gymgoers, such as picking the adjacent treadmill in an empty gym, taking too long to start, side-stepping, and water backpacks.
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Attending a SoulCycle class.
Act-out of waddling across the studio floor wearing specialized cycling shoes.
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Air travel frustrations and peacocks on airplanes.
Observational routine depicting passenger absurdities and strutting down the aisle like a peacock.
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Contrasting his upbringing with his in-laws' lifestyle.
Pokes fun at his in-laws' relaxed, wealthy ways against his own overbearing parents and Italian immigrant grandparents.
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The birth of his daughter.
Recounts the visceral experience of childbirth, picturing himself covered in placenta.
How it plays
- Tone
- Irreverent, acerbic, observational, and animated.
- On stage
- Described as the 'guy-who-has-a-problem-with-everything', expressing intense annoyance and amazement at people's outlandish behavior while leaning into his Italian heritage and personal foibles.
- Pace
- Extremely physical and energetic; jumping up and down, bouncing across the stage, and switching suddenly from a lower monologue voice into explosive act-outs.
- About
- Gym etiquette and modern workout culture, Family life and parenting, Air travel annoyances, Italian-American upbringing vs. wealthy in-laws, Mundane life situations and self-paranoia
What the critics said
Critics praised Maniscalco's unmatched physical act-outs and ability to make mundane grievances funny, though some noted his high-strung, grievance-driven formula can feel repetitive over an entire hour.
In the room: Energetic and captivated thousands in attendance at Radio City Music Hall.
Backstory
Filmed during a five-show run at Radio City Music Hall in early 2018, following the release of his memoir of the same name and adapting to family life as a new father with a young daughter.
Details
- Released
- Taped
- 2018, Radio City Music Hall, New York
- Runtime
- 65 min
- Where
- Netflix
- Director
- Rik Reinholdtsen
- Topics
- Before
- Why Would You Do That? (2016)
- After
- Is it Me? (2022)
More from Sebastian Maniscalco
-
It Ain't Right
Hulu
-
Is it Me?
Netflix
-
Why Would You Do That?
Showtime
-
What's Wrong with People?
Showtime
-
Comedy Central Presents
Comedy Central
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