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Brain Damaged

Sinbad

Mercury Records · 1990 · 58 min

High-energy nineties storytelling from a comic who refuses to stand still.

Sinbad treats the stage less like a microphone stand and more like a basketball court, pacing back and forth to deliver broad, high-energy storytelling [3.1.5]. For his first HBO hour, he leans into his trademark clean comedy, ditching traditional setups and punchlines for exasperated rants about everyday friction [2.2.6]. The set moves fast, held together by his physical charisma rather than tightly structured jokes.

Filmed at Morehouse College in Atlanta in 1990, Brain Damaged arrived right as the comic was starring as Coach Walter Oakes on A Different World and hosting It’s Showtime at the Apollo. The material covers standard early-nineties territory, built around extended observations about grandmothers, weaves, and relationship struggles [2.3.7]. He also kicks things off with an entirely sincere, notably terrible rap track of the same name [2.3.1].

The set list

7 bits
  1. Mother becoming possessed when disrespected

    Recounting trying to run away while her hand stretches like a bionic claw shouting 'Don't you ruunnnnnnn from me!'

  2. Dating versus marriage behavior

    Highlighting how a woman caters to a man while dating, but immediately shifts after marriage with 'some things are going to change around here.'

  3. Women spotting other attractive women

    Noting how women see other attractive women up to ten minutes before men do and monitor their reaction before the woman is even in sight.

  4. Getting older and mystery body aches

    Joking about waking up with unexplained stingers and aches that take a week to vanish.

  5. Arguing over mall vs. store

    Debating semantics with his wife about going to the mall versus a store, retorting that he is 'splitting malls.'

  6. Kids asking relentless questions

    A circular dialogue with his son about why the sky is blue and grass is green, concluding that neither the son nor the sky makes sense.

  7. Fast food drive-thrus and McDonald's

    Routines observing the quirks and interactions of fast-food drive-thrus.

How it plays

Tone
Clean, lighthearted, relatable, and observational.
On stage
Warm, commanding yet relaxed, engaging, clean, and physically animated.
Pace
Sharp delivery and timing, starting deliberately and building into high momentum and laugh-out-loud climaxes.
About
family and childhood discipline, dating vs. marriage, getting older and physical aches, parenting, fast food drive-thrus, everyday observations

What the critics said

Regarded by viewers as a nostalgic classic of clean stand-up comedy, praised for relatable marriage and relationship observations despite early musical gimmicks and pacing.

In the room: Energetic, engaged Morehouse College audience responding warmly with enthusiastic cheers, vocal interactions, and roaring laughter.

Summed up from reviews, articles and listings. Sources: paleycenter.org, letterboxd.com, gooent.com, linkedin.com, plotspoiler.com, allmusic.com, en.wikipedia.org.

Backstory

Known for performing clean, family-friendly comedy without profanity during an era when contemporaries largely leaned into explicit material, filmed on location before a crowd of students and faculty at Morehouse College.

Details

Released
Taped
Morehouse College, Atlanta
Runtime
58 min
Where
Mercury Records
Director
Chuck Vinson
Topics
After
Afros and Bellbottoms (1993)

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