Let It Go
Comedy Central · 2010 · 65 min
A loud argument against the minor annoyances of modern life.
Bill Burr treats minor inconveniences as personal insults, building routines out of the quiet indignities of existing in public. Let It Go peaks with an extended breakdown of male insecurity sparked by a sandwich shop employee simply offering him a cookie. Burr plays the role of a guy who knows he has an anger problem but cannot stop finding reasons to justify it. He is equally irritated by automated checkout machines, airport travelers swallowing fast food whole, and people who brag about rescuing their pets.
Filmed at The Fillmore in San Francisco, the set premiered on Comedy Central in 2010. Burr was already a working road comic with a podcast, but this release arrived just as he began booking larger theaters and securing television roles. Critics and fans frequently rank the performance at the top of his catalog, noting the steady momentum and lack of weak material.
The set list
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Adopting a rescue dog and resisting emotional affection
Burr dissects the self-righteous phrase 'rescue dog,' imagines the animal shelter as Shawshank prison, and describes his reluctant, day-by-day emotional surrender to loving the pit bull his girlfriend brought home.
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The closer (spoiler). Show it
Deteriorating old men looking permanently horrified
Explores the quiet misery of trapped marriages and aging, performing a dead-on, spooky facial contortion imitating the horrified expression of elderly men.
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Repressed male affection and 'What Are You, A Fag?'
Deconstructs how toxic peer enforcement stops men from showing warmth or enjoying simple things like cookies, yoga, umbrellas, or hugging a puppy.
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Challenging Oprah's claim that motherhood is the hardest job on earth
Rant belittling the perceived extreme difficulty of being a stay-at-home mother compared to genuinely grueling manual labor.
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Supermarket self-checkouts and fast food condiment stations
Fumes over corporations forcing customers to do unpaid labor after paying full price, rationalizing theft at self-checkout kiosks.
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Word placement and grammatical nuances in racism
Examines how the positioning of curse words relative to racial identifiers reveals underlying racial attitudes.
How it plays
- Tone
- Abrasive, cynical, dark, and comedic, undercut by surprising emotional vulnerability.
- On stage
- An angry, sharp-tongued Massachusetts native railing against societal irritations and repressed masculinity, shifting between furious rants and self-aware exasperation.
- Pace
- Fiery and relentless, driven by animated pacing, sudden vocal shifts into caricatured voices, physical contortions, and explosive yelling.
- About
- inability to let minor irritations go, repressed masculinity and male emotional armor, getting a rescue dog, motherhood and stay-at-home parents, customer self-service and corporate labor, speech patterns and racial slurs
What the critics said
Hailed as a consistently hilarious, energetic special showcasing Burr's signature rage, brilliant bit mechanics, and surprisingly effective vulnerability beneath abrasive rants.
In the room: Enthusiastic and captivated, bringing the Fillmore Theater audience to its feet.
Backstory
Material developed from 2008 to 2009 following major personal transitions, including moving to Los Angeles, moving in with his girlfriend, and getting a rescue dog.
Details
- Released
- Taped
- 2009, The Fillmore, San Francisco
- Runtime
- 65 min
- Where
- Comedy Central
- Director
- Shannon Hartman
- Honors
- #1 on iTunes comedy stand-up DVDs upon release
- Topics
- Before
- Why Do I Do This? (2008)
- After
- You People Are All The Same (2012)
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Drop Dead Years
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Live at Red Rocks
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Paper Tiger
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Walk Your Way Out
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I'm Sorry You Feel That Way
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