Warn Your Relatives
Netflix · 2018 · 67 min
A political stand-up set about identity, immigrant parents, and mangoes.
Hari Kondabolu took the stage at Seattle’s Neptune Theatre after a year of intense public scrutiny following his 2017 documentary The Problem with Apu. He leans directly into that tension from the start, arriving at the venue in a rickshaw pulled by a white guy while wearing a toy crown. The set that follows is unapologetically political, yet he consistently undercuts his own anger with nerdish self-deprecation and a playful relationship with the crowd.
The hour, directed by Bobcat Goldthwait, oscillates between heavy political satire and deeply personal storytelling. Kondabolu points out how unimpressed his immigrant parents are by a theater crowd of eight hundred people. He shares lighter, specific observations about the Indian community’s profound love for mangoes, lists the arbitrary reasons he was targeted by middle-school bullies, and recounts a disastrous early-career set where he was heckled by Tracy Morgan. The result is a performance that is sharp and defensive, but rarely loses its sense of fun.
The set list
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Explaining why firefighters are better than cops
Unabashedly professes his enthusiastic love for firefighters over police officers.
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Tracy Morgan heckling him and offering advice
Recounts a backstage encounter where Tracy Morgan heckled him and dubbed him a 'brown Lewis Black.'
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Comparing media rhetoric around mass shootings and terrorism
Contrasts the psychological excuses given to white mass shooters against the labels placed on suicide bombers.
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Getting mistaken for other people
Jokes about being confused for Kumail Nanjiani and a bizarre encounter where a stranger confused him for Kid Rock.
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Indian parents and academic expectations
Jokes that his father only cares about audience headcounts and his mother would prefer him filling out the LSAT onstage over stand-up.
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Indian people's deep obsession with mangoes
Subverts cultural stereotypes with a playful, joyful breakdown of how much Indians love mangoes and the politics behind the delicacy.
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Acting in a movie with David Oyelowo
Recounts accidentally getting punched by David Oyelowo while shooting Five Nights in Maine and acknowledging his shortcomings as an actor.
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Analogizing Trump supporters to kids cheating off homework
Relates the gullibility of poor rural white voters believing Trump to his own experience of being tricked into doing popular kids' homework.
How it plays
- Tone
- Witty, irreverent, socially conscious, and playful.
- On stage
- Self-aware, witty, and intellectual with self-deprecating barbs, balancing incisive political critique with earnest, playful personal reflections.
- Pace
- Starts structured and rehearsed before loosening up into a more organic, infectious tempo in the second half.
- About
- identity politics, racism and stereotypes, family and immigrant parents, Donald Trump and political discourse, terrorism versus mass shootings, celebrity encounters
What the critics said
Praised by critics for its sharp political intellect, empathy, and playful personal observations, though some critics noted meta 'comedy about comedy' experiments were less effective than his straightforward political and cultural material.
In the room: Performed before an 800-person sold-out, packed audience at The Neptune.
Backstory
Filmed following national discussions regarding representation sparked by The Problem with Apu and amidst the political climate of the Trump administration.
Details
- Released
- Taped
- The Neptune, Seattle
- Runtime
- 67 min
- Where
- Netflix
- Director
- Bobcat Goldthwait
- Honors
- Rotten Tomatoes: 100% Tomatometer
- Topics
- Before
- Comedy Central Presents (2011)
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Comedy Central Presents
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