Keep Talking, Pal
Showtime · 2018 · 58 min
The former Black Flag frontman delivers high-velocity road stories.
Henry Rollins does not want you to call him a stand-up comedian, mostly because that label comes with an obligation to make people laugh every seven seconds. Instead, the former Black Flag frontman deals in high-velocity spoken word. But for this hour, Rollins specifically curated his lightest, funniest road stories to deliver something that feels remarkably close to a traditional comedy special. He paces the stage with his usual drill-sergeant posture and a microphone cord wrapped tightly around his fist, firing off anecdotes at a speed that makes you wonder when he actually breathes.
Filmed in Portland, Oregon, and directed by Brian Volk-Weiss, the special debuted on Showtime in August 2018 before landing on digital platforms via Comedy Dynamics. Rollins deliberately chose Portland for the taping, noting that he had been performing in the city for nearly forty years and wanted an audience that was already on his side. That friendly crowd is crucial because the stories, while funny, are delivered with his signature, aggressive intensity.
The centerpiece bits are built around Rollins’ encounters with other pop culture figures. He recounts standing frozen in awe when he met David Bowie at a festival, describes his early-career friendship with RuPaul, and details the absolute dread of taking the Rollins Band on a stadium tour opening for Ozzy Osbourne. But the peak of his self-deprecating history is a story about a sparsely attended, highly hostile 1980s gig where a disgruntled audience member threw a severed deer’s head onto the stage—a situation Rollins handled by gouging the head’s eyeball out with a broken drumstick to gross out the crowd right back.
At this point in his career, Rollins was balancing a weekly radio show on KCRW and a role on the Syfy series Deadly Class. This hour strips away the heavy, geopolitical tragedies he usually reports from his travels to places like South Sudan, leaving a fast-paced retrospective of a punk-rock lifer who has somehow survived his own intense youth.
The set list
-
Friendship with RuPaul and reactions from homophobes
Rollins celebrates the brilliance of RuPaul and describes the delight he takes in toying with and shocking bigots who assume he is gay.
-
Why women should rule the world
Advocates putting women in charge of society and replacing men in jobs, noting with dark humor that machetes might be involved.
-
Meeting David Bowie
Rollins unabashedly fangirls over the experience of meeting his musical idol.
-
Stories from his musical past
Recounts strange concert experiences, including opening for Ozzy Osbourne and a bloody Black Flag Halloween show.
-
Reflections on the 2016 election and the state of America
Addresses political frustration while expressing rugged optimism about impending cultural and generational change.
How it plays
- Tone
- Insightful, wistful, satirical, candid, and ruggedly optimistic.
- On stage
- An intense, animated, and energetic raconteur who combines his punk rock edge with self-deprecating silliness, funny faces, and gestures.
- Pace
- Rapid-fire delivery characterized by words flowing in torrents at high speed.
- About
- The 2016 presidential election and American politics, Feminism and women running the world, Friendship with RuPaul and confronting homophobia, Meeting David Bowie and rock nostalgia, Weird touring experiences and Black Flag history
What the critics said
Paste Magazine noted the hour blurs the line between spoken word and stand-up, praising Rollins' strong stage presence, comedic instincts, and ability to speak truth to power despite having the cadence of a storyteller rather than a traditional setup-punchline comic.
Backstory
Filmed following the 2016 presidential election and the rise of the #MeToo movement, conceived after a Showtime network executive saw Rollins perform a shorter spoken-word set at a festival.
Details
- Released
- Runtime
- 58 min
- Where
- Showtime
- Director
- Brian Volk-Weiss
- Topics
- Before
- Up for It (2001)
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