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Promotional art for Los Resentidos Somos Más
Cover image credit: Promotional image via Comedy Dynamics

Los Resentidos Somos Más

Ricardo Quevedo

Comedy Dynamics · Album · 2017 · 56 min

A sharp audio-only stand-up set fueled by pure Colombian annoyance.

Ricardo Quevedo operates on a frequency of pure annoyance, turning the minor irritations of daily Colombian life into a sort of collective therapy session. Recorded in front of a sold-out crowd of nearly a thousand people at Teatro Leonardus in his hometown of Bogotá, this 55-minute audio-only special captures the comic at a pivotal moment. Already established through his work on Los Comediantes de la Noche and Comedy Central’s La Culpa es de Colón, Quevedo was on the verge of international crossover when this set was released by Comedy Dynamics in late 2017.

The performance relies on Quevedo’s signature self-deprecation and a refusal to find the silver lining. He spends significant time picking apart how smartphones have permanently ruined the mechanics of romance, and looks back at schoolyard bullying with a dark nostalgia, recalling when torment was simply treated as a learning experience. Another highlight is his breakdown of terrible, low-budget horror films, where he mocks the absurd decisions made by characters in cheap slashers.

The set list

3 bits
  1. His appreciation for poorly-produced horror films

    Contrasts precise storytelling with frenetic recounting of his experiences and tastes.

  2. How mobile phones permanently altered the dating scene in Latin America

    Examines changes in romantic culture and communication.

  3. When bullying was regarded simply as a learning experience

    Reflects humorously on past generational perceptions of childhood bullying.

How it plays

Tone
Bitter, angry, envious, yet grounded in finding laughter in the simplest life experiences.
On stage
Atypical and energetic storytelling that invokes feelings of envy, lovelessness, anger, and bitterness, balancing simple humor and stupid jokes with out-of-the-ordinary stories.
Pace
Frenetic energy in stark contrast with a precise and unique method of storytelling.
About
poorly-produced scary movies, impact of cell phones on dating in Latin America, childhood bullying as a learning experience, stupid things and everyday life

Details

Released
Taped
Teatro Leonardus, Bogotá
Runtime
56 min
Where
Comedy Dynamics (album)
Topics
After
Hay gente así (2018)

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