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Wainraich

Sebastian Marcelo

Netflix · 2018 · 49 min

A neurotic Argentine radio host takes on family vacations and funerals.

The case against weddings usually focuses on the expense or the obligatory small talk, but the argument presented here is simpler: funerals are plainly superior because nobody expects anyone to dance, nobody complains about the catering, and leaving early is considered respectful.

That self-effacing gloom carries the rest of the set. When the comic considers his homeland, he decides that if the world were a family, Argentina would be the son who showed great potential but never delivered. Everyday domestic friction receives the same treatment, from the financial dread of touching items inside a hotel minibar to the quiet panic of entering an apartment without a stable Wi-Fi connection.

Filmed on August 26, 2017, at the Auditorio Mayor of Ciudad de las Artes in Córdoba, Argentina, the 49-minute production was directed by Raúl Campos and Jan Suter. Wainraich chose Córdoba specifically because audiences in the province carry a national reputation for being notoriously tough to amuse. By early 2018, when Netflix released the set, he had already built a loyal following through his afternoon radio show Metro y Medio and his television appearances on Televisión Registrada.

Much of the material draws from the comic’s home life with his wife, fellow comedian Dalia Gutmann, running through an austere Buenos Aires childhood, the fantasies of bachelorhood, and the unglamorous logistics of traveling to the Atlantic coast with two young kids.

The set list

3 bits
  1. Why funerals are better than weddings

    Compares the rituals, expectations, and dynamics of attending wakes and funerals against wedding parties.

  2. Hotel minibars

    Observational humor dissecting the absurdities and dynamics of everyday life situations like minibars.

  3. Male obsession with looking at butts

    Critiques and describes stereotypical male behaviors and habits with a subtle and honest perspective.

How it plays

Tone
Irreverent, observational social commentary with dark and self-deprecating elements.
On stage
Subtle, honest, and anti-heroic; exploring everyday middle-class neuroses and male stereotypes.
Pace
Described by viewers as having an uneven rhythm with fluctuating momentum across the set.
About
Everyday life, Argentine middle-class dynamics, Family and relationships, Vacations, Weddings and funerals, Stereotypical male behavior

What the critics said

Viewer reactions were mixed to positive; some praised it as a welcome showcase of Argentine middle-class humor with sharp lines, while others critiqued its uneven pacing.

Summed up from reviews, articles and listings. Sources: netflix.com, allmovie.com, pro.imdb.com, rottentomatoes.com, letterboxd.com, decider.com, imdb.com, tn.com.ar, clarin.com.

Backstory

Noted as the first Argentine stand-up comedy special produced for Netflix.

Details

Released
Runtime
49 min
Where
Netflix
Director
Raúl Campos, Jan Suter
Topics

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