Live (At the Time)
Netflix · 2015 · 61 min
A stripped-down hour of deadpan one-liners and acoustic guitar.
In an era where stand-up was pivoting hard toward confessional storytelling, Demetri Martin planted his feet and remained a resolute craftsman of the one-liner. Live (At the Time) strips away the giant sketchpads of his earlier specials, leaving him to fire off deadpan observations about hairless cats, color schemes, and the word “nope”. He still wears a harmonica and strums a guitar for musical interludes, but the focus is squarely on the mechanics of his joke construction.
Filmed at the Lincoln Theatre in Washington, D.C., the hour represents a subtle shift in tone for the comedian. Fans and critics at the time noted a sharper, faintly cynical edge beneath the usual wordplay, as he stepped back slightly from his trademark quirkiness. He spends the runtime questioning the utility of simple tools, assessing the romantic merits of a Jumbotron proposal, and engaging in some light karate bragging.
The set list
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Proposing on a stadium Jumbotron
Observes that a giant stadium screen could just as easily be used as a smooth escape route for breaking up with someone.
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'Bridge May Be Icy' signs
Muses on the useless uncertainty of the phrasing and argues an optimistic sign like 'Bridge probably not icy. Give it a shot' would be preferable.
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Pets as animals that are not delicious
Theorizes that humans attempted to eat all species, choosing to put sweaters on and give first names only to the ones that tasted bad, creating a thin line between pets and hostages.
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Missing cat posters
Argues the poster is strictly from the human perspective, whereas the cat would post 'Free cat. Finally.'
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Hairless cats
Imagines God procrastination in creating animals, likening the creature to a meth addict and wondering how regular cats view it.
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The closer (spoiler). Show it
Guitar and harmonica rapid-fire finale
Spoken-word series of acute one-liners mostly phrased as 'I think...' statements accompanied by guitar and punctuated by harmonica bursts, ending with an emphatic 'Indeeeeeed!!!'
How it plays
- Tone
- Deadpan, dry, quirky, wry, and cerebral.
- On stage
- Deadpan, soft-spoken, dry, and slightly awkward 'wallflower' persona, acting as the straight man to his own offbeat, cerebral thoughts.
- Pace
- Steady, unrelenting drip of rapid-fire micro-jokes delivered as a stream of consciousness without smooth transitions, concluding with an uptempo musical segment.
- About
- linguistic loopholes and wordplay, signs and warnings, pets and animals, mundane social situations and human behavior
What the critics said
Praised as a refreshing, smart, and consistently funny showcase of sharp one-liners and distinct wordplay, though some critics felt the absence of storytelling made it feel less inventive than his earlier work or suggested his formula's novelty was waning.
In the room: Attentive theater crowd responding warmly to the continuous barrage of dry punchlines.
Backstory
Released amid a contemporary stand-up climate saturated with confessional, anecdote-heavy, provocative 'tell it like it is' comics, contrasting with Martin's defiantly impersonal, observational one-liner style.
Details
- Released
- Taped
- The Lincoln Theater, Washington
- Runtime
- 61 min
- Where
- Netflix
- Director
- Jaime Eliezer Karas
- Topics
- Before
- Standup Comedian (2012)
- After
- The Overthinker (2018)
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