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I'm the One That I Want

Margaret Cho

Warner Bros. Records · Album · 2001

An autobiographical hour about surviving network television and drug addiction.

Margaret Cho uses the wreckage of her canceled sitcom to build a much better stand-up hour. After ABC pulled the plug on All-American Girl, she endured an eating disorder fueled by network weight demands, severe substance abuse, and professional exile. She returns to the stage not looking for sympathy, but to break down the casual daily racism of Hollywood. The set pieces are intensely specific, pulling material from extreme diets, a stint on a lesbian cruise ship, and an encounter with Karl Lagerfeld in jail.

Recorded in November 1999 at the Warfield Theater in her hometown of San Francisco, the audio release captures a comic entirely shedding her industry-approved persona. Cho anchors the set with heavy vocal performance, particularly in the precise impressions of her mother’s blunt, unintentionally funny phone messages. The performance earned massive critical praise and effectively restarted her career on her own terms. She closes the set by promising to hold the microphone until another “Korean-American, fag hag, shit starter, girl comic, trash talker” arrives to take her place.

The set list

2 bits
  1. Struggles starring in the ABC sitcom All-American Girl

    Cho details how producers told her she was simultaneously 'too Asian' and 'not Asian enough', criticized the roundness of her face, and pressured her to starve herself into kidney failure.

  2. Post-cancellation spiral and substance abuse

    Cho reflects on falling apart after the show was canceled and overcoming drug and alcohol addiction.

How it plays

About
All-American Girl cancellation, body image and weight struggles, ethnicity and Asian American identity in show business, drug and alcohol addiction

Backstory

Details Cho's difficulties breaking into show business, pressure from television producers over her ethnicity and weight (including starving herself to the point of kidney failure), and her subsequent struggle with and triumph over substance abuse.

Details

Released
Where
Warner Bros. Records (album)
Honors
New York magazine's Performance of the Year (1999)Entertainment Weekly Great Performances of the year (1999)
Topics
Before
Drunk With Power (1996)
After
Notorious C.H.O. (2002)

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