Live at the Beacon Theater
LouisCK.com · 2011 · 62 min
An exhausted father complains about board games and recreational drugs.
The standout material centers on the sheer, mind-numbing boredom of spending time with young children. Louis C.K. breaks down the physical toll of sitting on the floor reading Clifford the Big Red Dog and admits to harboring a bitter grudge against a specific, annoying classmate of his daughter. When he steps away from domestic complaints, the set moves into his inability to handle recreational drugs and the burden of constant sexual thoughts.
Recorded at the Beacon Theatre in Manhattan in 2011, the hour captured the comic during the mainstream ascent of his FX television series. Instead of taking the recording to a network, he sold it directly to fans through his website as a DRM-free, five-dollar download. The direct-to-consumer model was a financial success that altered how comedians distribute their own work. The performance also won a Primetime Emmy Award for Outstanding Writing.
The set list
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Statistical certainty of audience mortality
Opens the set by reminding the 2,500 audience members that statistically at least one of them will die before Christmas, later joking about refusing to run errands with ashes after someone dies.
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Soldier on an airplane
Explores his selfish nature by fantasizing about giving up his first-class seat to a soldier in coach, ultimately congratulating himself simply for having had the thought without doing it.
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Calling Native Americans 'Indians'
Examines white guilt and historical absurdity by noting that Columbus knew he was not in India but persisted in the name anyway, framing the absurdity through a dialogue with God.
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Abandoning a rental car
Recounts leaving a rental car in an airport lot without properly returning it, discovering that a quick phone call to Hertz solved everything, which fuels his developing cockiness.
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Vendetta with a child
Confesses to harboring intense, childish hatred and holding a bitter grudge against a six-year-old boy.
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Too old for drugs
Recounts an intense and paralyzing experience getting high and realizing he is too old to handle recreational drugs.
How it plays
- Tone
- Edgy, brutally honest, darkly humorous, and introspective.
- On stage
- Candid, self-deprecating, and unapologetically flawed; portrays himself as a selfish jerk who acknowledges his own arrogance and worst impulses.
- Pace
- Brisk and confident with sustained momentum, opening casually without an opener and holding energy throughout.
- About
- parenting and boredom, selfishness versus morality, death and mortality, flying first class and newfound success, race and American history, drug experiences and aging
What the critics said
Extremely positive; praised as brilliant, insightful, and maintaining the exceptionally high standard set by his previous specials, with critics lauding his unflinching honesty and sharp observational writing.
In the room: Enthusiastic and engaged crowd in a packed 2,500-seat theater.
Backstory
Filmed in November 2011 and dedicated to comedian Patrice O'Neal, who died two weeks prior to its release. Bypassed traditional television networks and physical DVD distribution by selling directly to fans online for $5 DRM-free.
Details
More from Louis C.K.
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Ridiculous
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Louis C.K. at The Dolby
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Back To The Garden
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SORRY
LouisCK.com
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Sincerely Louis C.K.
LouisCK.com
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